Tag: Pratt Library

Just in time for Back-To-School: Prepare your kids for the classroom with BookFLIX

Posted on by Kiirstn Pagan

Introducing BookFLIX, Enoch Pratt’s newest electronic resource for kids in grades K-3

Use BookFLIX at your local library or at home! With colorful animation, rich audio, and interactive games, BookFLIX is a perfect resource to engage and support readers from Kindergarten to 3rd grade.

BookFLIX includes:

  • Classic video storybooks matched with a related nonfiction eBook
  • Spanish language versions of many pairs of matched videos and eBooks
  • Read Aloud support
  • Educational games and activities
  • Recommended, age-appropriate links to allow students to extend their learning on a subject
  • Meet the author section

Try it out now here!

 

Want To Get Away? Check out these new titles on travel

Posted on by Kiirstn Pagan

A good book can transport you to another world and these new titles make it even easier to get away. Read on to see forthcoming titles about travel. Click on the book cover to reserve your copy today.

New Fiction Titles on Travel

    

Click through the following links to see a full list of new fiction, mystery, and scifi & fantasy titles.

New Nonfiction Titles on Travel

 

See a full list of new nonfiction titles here.

New Young Adult Titles on Travel

See a full list of young adult titles here.

New Children’s Titles on Travel

See a full list of new children’s titles here.

The 2018 Pratt Library Poetry Contest Winner: “Death in Dubai” by Kanak Gupta

Posted on by Tracy Dimond

“This is a poem that will stop you on the street,” said Little Patuxent Review editor Steven Leyva. He was talking about Kanak Gupta’s poem, “Death in Dubai,” which won the 2018 Enoch Pratt Free Library / Little Patuxent Review Poetry Contest and which begins, “I will die in Dubai / under the faint drizzle / of a foggy morning[…].” (Read the whole poem here.)

We asked Kanak to tell us how the poem happened. She wrote the following:

“Death in Dubai” (titled after the city I live in when I’m not at school in Baltimore) has two parts; they were, however, originally written as separate poems at different times, with very different writing styles. But it is the clear juxtaposition between the two—one claiming that “no one dies in Dubai” while the other talks about a death there—that connects one to the other, like the coexistent contradictions of life in a big city.

The first part, “Variations on Variations on a Text by Vallejo,” began as an exercise in imitation in one of my writing classes. It seemed fitting to imitate Donald Justice’s poem “Variations on a Text by Vallejo,” which itself is an imitation of an older poem, “Black Stone on a White Stone” by César Vallejo. In both the poems the poets first predict their death and funeral in a city, then tell you why, and finally look upon their funerals, as they believe they will actually happen. Vallejo predicted that he would die in Paris (as it happens, he was right), Justice, in Miami (he, however, wasn’t as accurate). Both the poets wrote about the cities they resided in, and it seemed obvious for me to do so too. When I started writing the poem, however, I simply couldn’t picture myself dying in Dubai. In fact, I couldn’t picture anyone dying there at all. Naturally, I proceeded to make myself do just that. As it turned out, the city’s sanitary untouchability and barrenness were ripe ground for a poetic death.

The summer after I wrote “Variations,” I was back in Dubai, when the events of the second poem transpired. Perhaps it was the sheer irony of it all, or witnessing a real death in the city after having speculated about one with considerable difficulty, but there was something so resonant about these events, I couldn’t stop thinking about them for days. They made me realize that it wasn’t that no one died in Dubai, rather that so many did that they were just swept under the rug as numbers, their homogeneity giving the city a mask of perfection. More importantly though, they made it apparent to me the universality of the principle that the more lives there are in a place, the more trivial the value of every life becomes. So, while writing the “Variations on Variations on a Text by Vallejo” was something of a personal challenge, “Obituary” practically forced its way out of me.

Next Tuesday, August 21, at 6:30 p.m., Kanak will read her poem at a special celebration of the contest results. Please come!

Rockin’ Reads, Part 7: More Reviews from Adult Summer Challenge Participants

Posted on by Tracy Dimond

What’s next on your to-read list? Adult Summer Challenge participants have some suggestions:

Michael H. on Storm in a Teacup by Helen Czerski: Loved this book! Great combination of readability and reliability, applies physics principles to everyday life. Enjoyed reading anecdotes to my wife.

Connie G. on Factfulness by Hans Rosling: Superb—a must-read for anyone interested in clear, dispassionate thinking about the serious problems facing us now.

Brynez R. on Year of Yes by Shonda Rhimes: Great self-help and empowering book around being open to all possibilities despite your fears and the good that can come when you do that.

Meredith V. on The Penderwicks at Last by Jeanne Birdsall: This remains one of the sweetest and most delightful series ever. I really enjoyed spending the book with Lydia. I kind of wanted some more time with the older girls, but I understand why the book wasn’t written that way. And the ending made me literally hug the book in happiness. I’m going to pretty immediately go back and start the series over.

Meri R. on Manhattan Beach by Jennifer Egan: Jennifer Egan does not disappoint. I read this book in a day, which is very fast for me, but every turn in the story was true and richly described. For a period novel, this book included details that felt lived in and personally important instead of carefully researched and curated. I highly recommend this book to anyone.

Zachary F. on Off Armageddon Reef by David Weber: The concept of this book is really interesting. Essentially humanity has to revert to the dark ages with a repressive religion and one person who remembers the pinnacle of civilization has to try and bring this backward version of humanity into the future. The implications of having a religion that had eight million people around for the creation of the world and saw entities they believed to be archangels is really interesting. The plot is solid. I love the parts where they discuss advancing technologies. Some parts are a little over the top and sometimes the dialogue is a bit more wordy than necessary.

Kelly H. on All We Ever Wanted by Emily Giffin: This is an incredibly timely novel but it’s also got a new slant: it’s told from the perspective of the parents (Finch’s mom and Lyla’s dad) and not the teens themselves. It was especially interesting to hear from Finch’s mom, because it’s clear that she struggles with loving and wanting to protect her son but, at the same time, being horrified at what he did (and with it seeming like he doesn’t fully get exactly why it was so wrong). This novel also touches on class differences (Lyla is at the school on scholarship; Finch can have pretty much literally anything and everything he wants) and that’s also interesting. Finch’s dad believes that his money can get them out of any predicament (he tries to bribe Lyla’s dad to drop the matter and gives him $15,000. It’s clear that he doesn’t think of that as a large amount of money…which I can’t even imagine, btw).  If you want your beach reads to be more than a guilty pleasure, check this one out.

Join the fun! For a chance to win fabulous prizes in the Adult Summer Challenge, create a free Beanstack account and log each book you finish between June 13 and August 15.